Paradise is an editing project combining Prometheus and Alien: Covenant into a single, David-centric narrative. The goal was to intercut material from both films to tell a story in a way that favors the strengths of both. With a runtime of about 2.5 hours, I aimed to enhance much of the excitement and mystery from the two films by unfolding them in parallel and playing them off one-another.

Paradise – Trailer

This method also allowed opportunities to emphasize the major theme of creator/creation relationship that runs through both stories and hopefully achieve a unique viewing experience rather than merely a significantly abridged double-feature.
Some content from deleted scenes and marketing materials from both films have been used, as well as additional music which is credited at the end of the film. Finally, thanks to everyone on Twitter who gave me feedback on earlier cuts. This really helped me shape the current cut.

When I edited Derelict a couple of years ago, combining Prometheus & Alien in black & white, it was mainly because I found Prometheus unsatisfying as a standalone film. Its ending promised (and begged for) a sequel, but that sequel kept falling behind other Ridley Scott productions. With a sequel in doubt, I tried to use material from both films to make a single experience that felt more like a satisfying whole.
We eventually did get a sequel 5 years later in Alien: Covenant. Half of it felt like a Prometheus sequel and the other half an Alien prequel. In my opinion it didn’t fully succeed in either role. I enjoyed parts of Covenant very much as I did Prometheus, but also much like Prometheus, it ended on an intriguing promise of a sequel. That sequel may never come thanks to its relatively poor box office performance. So here we are again…

Vimeo 720p/Stereo (password: flutelessons)

Google Drive Download 1080p/Surround

Mega Download 1080p/Surround

Subtitles (Download SRT files below or access through the CC feature on Vimeo)

Spanish — Thanks to @arriagadaG13 on Twitter!

Brazilian Portuguese — Thanks to Matheus Feliciano!